Mastering Manga Storytelling: Characters, Pages and Narrative Flow

Course details

Location

Start date

24th March 2026

Duration

8 weeks

Contact Time

Tuesday and Thursday evenings: 7:00pm - 10:00pm GMT

Fees

£750

Course overview

Manga storytelling is a visual language that merges emotion, rhythm, and clarity in a way that no other medium does. This eight-week intensive program offers a complete foundation for understanding how manga works, teaching participants how to create stories that feel authentic, emotionally resonant, and visually powerful.

Combining theory and practice, each session blends professional storytelling tools with practical exercises used in the manga industry. The course covers character creation, story structure, panel layout, and page flow, culminating in a final project that demonstrates a full understanding of manga narrative flow.

Designed for writers, artists, and visual storytellers, the program emphasizes story logic and emotional engagement over technical drawing ability. Participants will leave with the essential skills to build memorable characters, construct clear storyboards (nemu), and direct professional manga sequences with confidence.

Why choose this course

  • Understand the fundamental storytelling principles that define authentic manga.
  • Create complete characters with strong motivations, flaws, and emotional depth.
  • Develop story ideas from logline to structured plot using kishōtenketsu and other professional narrative tools.
  • Design visually coherent nemu (storyboards) that communicate rhythm, pacing, and emotion. 
  • Construct manga pages with clear panel layout (komawari) and balanced emotional rhythm.
  • Direct sequences using effective camera angles, panel transitions, and reader-focused pacing. 
  • Refine storyboards based on feedback which follows professional Japanese editing methods. 
  • Produce a final short manga project (4–8 pages) demonstrating full command of character, structure, and page direction.
Headshot of Elena Vitagliano

Meet your tutor, Elena Vitagliano

Elena Vitagliano is a Manga Artist and Storyteller specialising in manga narrative and visual storytelling. She works internationally as an Author, Educator and Workshop Leader, with a strong focus on Japanese manga storytelling practices.

In 2018, she won the Grand Prix at the Silent Manga Audition with The Cruelest Rule, judged by Tsukasa Hojo and Tetsuo Hara, becoming the first European woman to receive this award. In 2023, she became the first European Artist to publish a manga one shot on Shonen Jump Plus with Miriam of the Skulls, now available in English on Manga Plus.

Her work spans manga publishing, illustration and narrative development, with projects for institutions such as the Science Museum in London, as well as scripts and storyboards for international comic productions. She has exhibited her work internationally across Japan, the UK and Europe.

Elena regularly delivers manga storytelling courses and workshops in academic and cultural contexts, including a recent workshop at Expo Osaka, and is currently developing new projects for both the European and Japanese markets.

Tutor artwork

Manga artwork with four panels. Character with dark hair approaches a pile of skulls, picks one up and kisses the forehead
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Manga artwork with three panels and five characters with expressive faces
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Manga artwork showing a main character with long dark hair holding a skill. There are four other character in the background in front of smoke.
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Manga artwork with two main male characters exercising. Text reads 'thump' thump'
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Manga artwork showing a character with a long dark dress in the centre, surrounded by skeletons with impressive outfits on.
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Course modules

Module 1: Creating Strong Characters (Part 1)
Week 1

Lesson 1: Foundations of Manga and Character Creation 

  • What manga is and why many people misunderstand it 
  • Visible and invisible elements that define authentic manga 
  • The manga storytelling mantra 
  • What it means to create a real manga 
  • Origins of manga 
  • Early influences, American comics, and Osamu Tezuka 
  • Types of manga by target 
  • How the industry works: from idea to tankobon 
  • Plot driven vs character driven stories 
  • First simple character creation techniques 
  • Character profile. 

Lesson 2: Skills and Methods for Strong Characters 

  • Essential skills for manga creators 
  • Additional methods to develop characters 
  • The importance of the magical 'but' 
  • Character settei and character summary card 
  • Using the 5W1H 
  • Types of protagonists 
  • The Frankenstein method 
  • Core 5 questions to create a character 
  • Deep focus on Question 1 
  • Why perfect characters do not work 
  • Values, strengths, flaws and resulting actions 
  • Using personal experience 
  • Showing emotions through expressions 
  • Sketching main expressions. 
Module 1: Creating Strong Characters (Part 2)
Week 2

Lesson 3: Motivation, Wants, Needs 

  • Focus on questions 2 and 3 
  • The character’s 'What' 
  • The character’s 'Why' 
  • How motivation shapes story 
  • Showing motivation visually 
  • Wants and needs 
  • Gap, ana and ketsukaru 
  • What makes a strong protagonist 
  • Sketching characters from different angles. 

 

Lesson 4: Stakes, Arcs, and Effective Introductions 

  • Focus on questions 4, 5 and 6th bonus question 
  • Understanding stakes 
  • Character arc 
  • Narrative arc 
  • Positive and negative arcs 
  • Setting: where and when 
  • Introducing a character effectively 
  • Protagonist and antagonist 
  • Sketching small distinctive actions. 
Module 2: Building Solid Stories (Part 1)
Week 3

Lesson 5: Structure and Long-Term Thinking 

  • Starting with the end in mind 
  • Origins and applications of yonkoma and kishotenketsu 
  • How to use kishotenketsu 
  • Kishotenketsu in pages, short stories, yomikiri, long stories and chapters 
  • The nested structure 
  • Differences and similarities with the three act structure 
  • The reader as the center 
  • Useful software. 

 

Lesson 6: Loglines, Analysis and Idea Quality 

  • What a logline is and how to write it 
  • Reading like an editor 
  • Identifying the true protagonist 
  • What makes a strong idea 
  • Differences between short and long manga 
  • Important elements for loglines 
  • Manga genres 
  • Common yonkoma mistakes. 
Module 2: Building Solid Stories (Part 2)
Week 4

Lesson 7: Building the Story Engine 

  • Parts of a story including inciting incident 
  • The story spine 
  • Theme, premise and design principle 
  • Twist and character presentation 
  • Creating a narrative flow chart 
  • How to divide a story 
  • Essential questions to ask yourself. 

 

Lesson 8: Nemu and Story Readability 

  • What a nemu is 
  • How many panels per page and why 
  • The tallest panel rule 
  • One panel, one emotion, one moment 
  • Nemu no nemu 
  • Readability elements 
  • Refining drafts 
  • Common nemu difficulties 
  • Connecting yonkoma. 
Module 3: Structuring Clear Manga Pages (Part 1)
Week 5

Lesson 9: Emotions and Basic Page Structure 

  • Directing emotions through pages 
  • The six core emotions 
  • From yonkoma to one page manga 
  • Main shots and their uses (part 1) 
  • Komawari basics 
  • Hikigoma 
  • Reading a two-page story. 

 

Lesson 10: Complex Emotions and Visual Decisions 

  • Depicting complex emotions 
  • The importance of close ups 
  • Full figure introduction 
  • Show, don’t tell 
  • Analysis of short manga. 
Module 3: Structuring Clear Manga Pages (Part 2)
Week 6

Lesson 11: Speech Bubbles and Visual Flow 

  • Speech bubbles: shapes and placement 
  • Space equals distance 
  • Main shots and their uses (part 2). 

 

Lesson 12: Panel Transitions and Meaning 

  • Types of panel transitions 
  • How transitions affect understanding 
  • How manga differs from other comics 
  • Main differences with western comics 
  • Panel transitions revisited 
  • The reader as accomplice. 
Module 4: Directing Your Manga, Emotion to Emotion
Week 7

Lesson 13: Controlling the Scene: Perspective and Emotional Focus 

  • More komawari techniques 
  • Whose emotions are shown 
  • The scene subject 
  • Unity of panels 
  • One camera angle. 

 

Lesson 14: Rhythm, Contrast, and Visual Emphasis 

  • Panel unity with multiple shots 
  • Oblique panels 
  • Merihari 
  • Speed lines 
  • Kakimoji 
  • Flow and against flow 
  • Anticipation, action, reaction 
  • Action, emotion 1, emotion 2 
  • Common storyboarding problems 
  • Identifying what your story lacks 
  • Improving your storyboard. 
Module 5: Solidifying Your Knowledge
Week 8

Lesson 15: Analysis and Refinement 

  • What makes an excellent first page 
  • Checklist of essential story elements 
  • Identifying story gaps 
  • Building a new storyboard 
  • Managing action time, reading time and emotional time 
  • Revising the sequence. 

 

Lesson 16: Final Project and Professional Development 

  • Recommended books 
  • Finding inspiration 
  • Expanding horizons 
  • The landscape of manga possibilities 
  • Manga competitions 
  • Major Japanese magazines. 

More information

Entry requirements

Minimum requirements

We welcome and encourage applications from students with a variety of backgrounds, experiences and perspectives.

To study this short course, you must:

  • Be over 18
  • Have a good understanding of written and spoken English (we recommend a B2 level)
  • Feel comfortable using a computer.

If you’d like to discuss your circumstances before applying, contact us!

Online study requirements

You will need: 

  • Dual monitor setup is recommended  
  • A strong internet connection 
  • Cloud storage or external hard drive to back up your work, 1TB+ recommended 
  • A three-button mouse or graphics tablet.  
  • A computer microphone and webcam 
  • Note-taking materials.

If you have any questions about learning online or if you need help with what to buy, get in touch at hello@escapestudios.ac.uk. 

How to apply

To apply, complete the relevant online application form linked below:

Our team will get in touch to take you through the next steps.

If you have any questions about your application or our entry requirements, get in touch!

As part of the application process, you will need to agree to our terms and conditions for your place on the course to be secured.

Fees and funding

Fees 

£750

Payment plans

We offer payment plan options for all courses. Following an initial deposit at registration stage, your chosen payment plan will break down your remaining fees into up to three instalments, to be paid before the end of the course.

Visit our admissions page for any questions about fees, funding and payment plans.

Teaching and learning

We pack a lot into our evening - online classes, and we recommend that you work outside of classes for an extra few hours per week to get the most from the course. The course is taught live, and you’ll need to attend weekly online sessions. Sessions are recorded so you can lookback and review outside of scheduled classes.

Software

Clip Studio Paint - This is not mandatory but is the software the tutor personally uses and recommends. It is the main reference tool during the course, although you can follow along with other software if needed.  

You are also free to work entirely by hand, using traditional and analogue drawing methods.

Career opportunities

You’ll leave with an Escape Studios Certificate of Completion and have gained a strong foundation in manga storytelling and visual narrative, allowing you to start developing your own original projects with more clarity and confidence.

Check out our Careers Guide for more information about career opportunities and progression routes.

Why Escape Studios?

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