Compositing for Visual Effects (Evening - 20 weeks)
Compositing for Visual Effects (Evening - 20 weeks)
Compositors, also known as Finishing Artists, are the masters of make-believe, responsible for creating the illusion of reality. They compose the final image in a VFX or motion picture sequence, creating VFX that make the impossible, possible! Without them, we’d all be looking at the wires that support actors during action sequences, or shots lacking in atmosphere or composition. It is a Compositor’s role to make a shot look believable. You’ll need an artist’s keen trained eye for photo-realistic details to always create exceptional imagery.
This intensive evening course will teach you the fundamentals of compositing, from understanding the VFX pipeline, to mastering rotoscoping and integrating the final shot.
This course is popular with students who need to manage study around work or family commitments. You’ll be hands-on in the studio two evenings per week. You'll be taught by a tutor who has worked, or is currently working in the industry, so they can share their real-world tips and techniques and help you connect with studios.
The course follows the same principles as our full-time 12-week course. You’ll gain sought-after VFX production skills, through industry-recognised Nuke training. We cover everything you need to start working on your showreel and in the final weeks, you’ll work on a project that brings all the techniques together.
See also MA Visual Effects Production (Compositing), Compositing for Visual Effects (12 weeks) or Advanced Compositing for Visual Effects (18 weeks)
Why choose this course
Ranked 2nd in the UK - and 10th in the world for Visual Effects Excellence by The Rookies
Based in London - home to some of the best visual effects studios in the world
Industry briefs - work on industry-standard briefs and experience real-life scenarios, just like in a professional studio
Professional input - our advisory board of experts, from the likes of DNEG (Avengers: Endgame and Oscar-winning Dune) and MPC (The Lion King and 1917), help keep this course relevant
Successful alumni - join our community of thousands of Escapees, many of whom have gone on to work at some of the world’s top studios. 47 Escapees worked on Avengers: Endgame, 36 on No Time to Die and 16 on Stranger Things
Aftercare package - we'll help you polish your showreel and find the right job, with access to our studios and showreel clinics for 12 months
Industry-standard facilities - study in a studio environment that mirrors current industry practice, using professional software such as Nuke and Silhouette
Fast-track learning - studying a short course allows you to learn new skills quickly, in a fast-paced environment, so you can start applying for jobs as soon as you’ve completed the programme
Intensive training - we pack a lot into a few evening classes, and we recommend that you work outside of classes for an extra few hours per week to complete your assignments
Flexibility - study live online and in the evening to fit the course around your professional and personal life and other commitments
Strong portfolio - along with an Escape Studios Certificate of Achievement, you'll leave with strong creative and technical skills and great pieces for your portfolio
Small class sizes - a convivial environment allows students to assist and inspire one another and benefit from personalised feedback from tutors.
The VFX pipeline
The Nuke interface
Project settings and formats
Read and write nodes
Image and channel blending
Generating masks, alphas and mattes
Understanding tracking and stabilising
Roto and tracking
Human motion vs objects
Silhouette rotoscoping (SFX)
Tracking in SFX
Working with motion blur
Project: roto a shot in SFX
Painting in Nuke
Marker removal procedures
Generating clean plates
Film grain management
Warping and morphing
SFX paint cleanup
Wire removal painting
Luma keying and the keyer node
Compositing outside the keyer
Colour difference keying: keylight node
Nuke’s IBK keyer
Pre and post processing: refining the matte
The despill process
Keying motion blur
Edge treatment and luminance
Colour management and LUTs
Float and linear light workflow
Density and colour matching
Mastering the colour correct node
Primary grading: grade node
Exposure, gamma and curves
Depth queuing and atmospherics
Introduction to the 3D interface
Projection types and 3D displacement
Solving the camera
Utilising camera data
Projection cleanup workflows
UV and camera projections
Optimising 3D motion blur
Rebuilding the beauty pass
Applying convolve filters to CG
Interactions and depth of field
Final project submission
Call our Admissions Advisors on +44 (0)203 441 1303
Email us at firstname.lastname@example.org
Reach us on chat Monday to Friday, 9am - 5pm
Be over 18
Have a good understanding of written and spoken English
Feel comfortable using a computer.
Gov.uk - Check if you need a visa
Gov.uk - Standard visitor visa
Gov.uk - Caseworker guidance
UK Council for International Student Affairs (UKCISA) - Information for visitors
A strong internet connection
An external hard drive (minimum 2TB) to back up your work during the course
A three-button mouse (or optionally graphics tablet)
A computer microphone (and optionally a webcam)
To apply for this course, or if you have any questions about your application or our entry requirements, get in touch!
As part of the application process, you will need to agree to our terms and conditions for your place on the course to be secured.
We welcome and encourage applications from students with a variety of backgrounds, experiences and perspectives.
To study this short course, you must:
If you’d like to discuss your circumstances before applying, contact us on email@example.com or +44 (0) 203 441 1303.
We accept international students for our short courses, with no difference in course fees or administration costs.
The Standard Visitor visa allows students to come to the UK to study for a course of up to six months at an accredited institution. Depending on your nationality, you may need to apply for a standard visitor visa prior to departure from your home country. For more information visit:
Contact us on firstname.lastname@example.org or +44 (0)203 441 1303 for any questions.
We can provide remote access to our workstations during teaching time. Due to availability restrictions, we highly advise you to have your own set up at home to study in your own time.
More things you’ll need:
If you have any questions about learning online or if you need help with what to buy, get in touch at email@example.com.
Live online: £3,196
We offer a range of payment plan options for all courses. Following an initial deposit at registration stage, your chosen payment plan will break down your remaining fees into up to six equal instalments, to be paid over the course length.
Contact our Admissions Team on firstname.lastname@example.org or +44 (0)203 441 1303 or visit our admissions page for any questions about fees, funding and payment plans.
"In compositing we have the unique pleasure of coming at the end of the pipeline. That means everything we do directly appears in the finished product on screen. That combined with the perfect balance of creative contribution to the finished product and technical problem solving, means that the scope of work is broad and no two days are ever quite the same." Chris Fryer, Digital Compositor at Industrial Light & Magic
You’ll leave with an Escape Studios Certificate of Achievement, along with strong creative and technical skills and some great pieces of work for your portfolio, which you can add to with help from our Aftercare programme. Ready to apply for jobs in the industry!
Some of the opportunities you can consider once you’ve finished your studies include:
Compositors often start out in junior roles or as Rotoscope Artists to then rise to mid-level and senior roles such as Compositors and Compositing Supervisors, opening the path to becoming a VFX Supervisor.
Our students have gone to work as both specialist and generalist artists in creative studios, across TV shows, films and commercials, at companies including Industrial Light & Magic, Cinesite, Pixomondo and Milk VFX. Read some of our VFX Escapee success stories.
Check out our Careers Guide for more information about career opportunities and progression routes.
We pack a lot into each class of our evening courses, to be able to offer a learning option that is more flexible and fits in with your personal and work life. This means that contact time with your tutors will be intense learning and hands on. To make the most of this course, we recommend that you spend at least 10 hours working on your projects or practising your new skills in your own time each week.
Meet our industry-experienced tutors
They all have industry experience and are experts in their fields. They are certified trainers for Autodesk and Houdini. They’ve worked at studios including DNEG, Framestore and Industrial Light & Magic, on credits including Fantastic Beasts, Gladiator, Kingsman and Guardians of the Galaxy Vol.
The excitement and gratification of producing the end result is an exhilarating position and creative career to grow into.